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    History of Art

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    • Introduction to Art History
      • 1.1Classical Art: A Foundation
      • 1.2The Importance and Role of Art in Culture
      • 1.3Methods and Approaches of Art History
    • Byzantine Art
      • 2.1Overview of the Byzantine Empire
      • 2.2Iconography and Mosaics
      • 2.3San Vitale and Hagia Sophia
    • Islamic Art
      • 3.1Introduction to Islamic Art
      • 3.2Calligraphy and Geometrical Forms
      • 3.3Ottoman Architecture
    • Gothic Art
      • 4.1The Rise of the Gothic Style
      • 4.2Major Elements of Gothic Art
      • 4.3Gothic Architecture
    • Renaissance Art
      • 5.1Italian vs Northern Renaissance
      • 5.2Masters of the Renaissance: Da Vinci, Michelangelo
      • 5.3Humanism and the Italian City-State
    • Baroque and Rococo Art
      • 6.1Overview of Baroque and Rococo
      • 6.2Caravaggio and Other Baroque Masters
      • 6.3French Rococo
    • Art of Asia
      • 7.1Introduction to Asian Art
      • 7.2Indian and Southeast Asian Art
      • 7.3Chinese and Japanese Art
    • Impressionism and Post-Impressionism
      • 8.1Origins of Impressionism
      • 8.2Monet, Renoir and other Impressionist Masters
      • 8.3Post-Impressionist: Van Gogh, Seurat
    • Modernism
      • 9.1From Realism to Abstraction
      • 9.2Cubism, Surrealism, Dadaism
      • 9.3Picasso, Dalí and Other Pioneers
    • Postwar & Contemporary Art
      • 10.1Art & Cold War Politics
      • 10.2Pop Art, Minimalism, Conceptual Art
      • 10.3Contemporary Art Movements
    • Art of Africa & Oceania
      • 11.1Ancient African Civilizations
      • 11.2Oceanic Art and Culture
      • 11.3Contemporary African Art
    • Art of the Americas
      • 12.1Native American and Pre-Columbian Art
      • 12.2Colonial and Post-Colonial Art in The Americas
      • 12.3Contemporary Art in Americas
    • Wrap-up and Review
      • 13.1Connecting Art History Themes
      • 13.2Understanding Art’s Impact on Society and Culture
      • 13.3Reflection and Feedback

    Impressionism and Post-Impressionism

    Monet, Renoir and Other Impressionist Masters

    19th-century art movement

    19th-century art movement.

    Impressionism, a revolutionary art movement of the 19th century, was born out of a desire to break away from traditional art norms and capture the fleeting effects of light and color. This unit focuses on the key figures of this movement, namely Claude Monet, Pierre-Auguste Renoir, and other significant Impressionists like Édouard Manet and Edgar Degas.

    Claude Monet

    Claude Monet, often regarded as the father of Impressionism, was a master at capturing the transient effects of sunlight on landscapes. His painting "Impression, Sunrise" gave the movement its name and showcased his innovative use of loose brushwork and vibrant color to depict the changing atmosphere at different times of the day. Monet's other notable works include his series of Water Lilies, Haystacks, and Rouen Cathedral, each demonstrating his fascination with the changing light and weather conditions.

    Pierre-Auguste Renoir

    Pierre-Auguste Renoir, another central figure of the Impressionist movement, was known for his vibrant light and saturated color, most often focusing on people in intimate and candid settings. His painting "Dance at Le moulin de la Galette" is one of Impressionism's most celebrated masterpieces, capturing the joy and vitality of Parisian life. Renoir's work is characterized by a sensitivity to light, color, and detail and a fascination with the human form.

    Other Key Impressionists

    Édouard Manet, although not officially part of the Impressionist exhibitions, was a significant influence on the movement. His works, such as "The Luncheon on the Grass" and "Olympia," challenged the conventions of the time and paved the way for the Impressionist movement.

    Edgar Degas was another key figure in Impressionism, known for his paintings, sculptures, and drawings. He is especially identified with the subject of dance; more than half of his works depict dancers. His unique composition, skillful drawing, and perceptive analysis of movement made a significant contribution to the movement.

    Berthe Morisot, the first woman to join the Impressionist circle, was known for her delicate touch and vibrant portrayals of domestic life. Her works, such as "The Cradle" and "Summer's Day," showcase her ability to capture the subtle nuances of light and color.

    In conclusion, the Impressionist movement was a collective effort of many artists who dared to challenge the status quo. Their innovative techniques and unique perspectives on art have left an indelible mark on the history of art.

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    Next up: Post-Impressionist: Van Gogh, Seurat