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    History of Classical Music

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    • Introduction to Classical Music
      • 1.1A General Overview
      • 1.2Roots of Western Music
      • 1.3Understanding Musical Styles
    • The Medieval Period (500-1400)
      • 2.1Introduction to the Medieval Era
      • 2.2Gregorian Chant
      • 2.3The Birth of Polyphony
    • The Renaissance Period (1400-1600)
      • 3.1Renaissance Music
      • 3.2Development of Vocal Music
      • 3.3Birth of Instrumental Music
    • The Baroque Era (1600-1750)
      • 4.1Introduction to the Baroque Era
      • 4.2Famous Baroque Composers
      • 4.3Bach and Handel
      • 4.4The Beginnings of Opera
    • The Classical Period (1750-1820)
      • 5.1The Era of Classicism
      • 5.2Instrumental Music
      • 5.3Haydn, Mozart and Beethoven
    • The Romantic Period (1820-1900)
      • 6.1Introduction to Romantic Era
      • 6.2Execution of ‘Programme Music’
      • 6.3The Virtuoso Solo Performer
      • 6.4The Great Romantics
    • The 20th Century (1900-2000)
      • 7.1Experimental Directions in the Early 20th Century
      • 7.2Neoclassicism and Serialism
      • 7.3Minimalism
    • Modernism in Music
      • 8.1The Age of Modernism
      • 8.2Influence of Impressionism
      • 8.3Expressionism
    • Postmodernism in Music
      • 9.1Introduction to Postmodernism
      • 9.2The Postmodern Technique
      • 9.3The Role of Technology
    • Women in Music
      • 10.1Forgotten Female Composers: The Renaissance Period
      • 10.2Women Composers: The Romantic Period
      • 10.3Women in 20th Century Music
    • Contemporary Music
      • 11.1Defining Contemporary Classical Music
      • 11.2Advances in Technology and its Role
      • 11.3Noteworthy Contemporary Music Composers
    • The Intersection of Classical Music & Pop Culture
      • 12.1Classical Music in Films
      • 12.2Classical Music in Video Games
      • 12.3Classical Music in Advertisements
    • Recap and Conclusion
      • 13.1Recap of the Historical Journey
      • 13.2Current Status and Future of Classical Music

    Modernism in Music

    The Age of Modernism in Music

    changes in musical form during the early 20th Century

    Changes in musical form during the early 20th Century.

    Modernism in music represents a significant shift from the traditional norms of composition and performance. This period, which spanned the late 19th and early 20th centuries, was characterized by a radical break from the past and the embrace of new forms of musical expression.

    Defining Modernism in Music

    Modernist music is characterized by its rejection of traditional tonality and its embrace of dissonance and atonality. It often features complex rhythms, innovative forms, and a focus on individual expression. Modernist composers sought to push the boundaries of what was considered music, often incorporating noise and unconventional instruments into their compositions.

    The Historical Context of Modernism

    The Modernist movement in music did not occur in a vacuum. It was influenced by a variety of social, political, and cultural factors. The late 19th and early 20th centuries were a time of rapid change and upheaval, with the Industrial Revolution, World War I, and the rise of new political ideologies all playing a role.

    The Industrial Revolution brought about new technologies that changed the way music was produced and consumed. The invention of the phonograph, for example, allowed music to be recorded and played back, making it more accessible to the general public.

    World War I also had a profound impact on the Modernist movement. The war led to a sense of disillusionment and a rejection of the values of the past, which was reflected in the music of the time. Many Modernist composers sought to express the chaos and uncertainty of the post-war world in their music.

    Key Modernist Composers

    Several composers played a pivotal role in the development of Modernist music. Among the most influential were Igor Stravinsky, Arnold Schoenberg, and Béla Bartók.

    Stravinsky is perhaps best known for his ballet "The Rite of Spring," which caused a riot at its premiere in 1913 due to its radical departure from traditional musical norms. The ballet features complex rhythms, dissonant harmonies, and a primitive, raw energy that shocked audiences at the time.

    Schoenberg, meanwhile, is known for his development of the twelve-tone technique, a method of composition that abandons traditional tonality in favor of a system in which all twelve notes of the chromatic scale are treated as equal. This technique was revolutionary at the time and remains one of the defining features of Modernist music.

    Bartók, a Hungarian composer and ethnomusicologist, incorporated elements of folk music from his native country into his compositions, creating a unique blend of traditional and modern elements.

    In conclusion, the age of Modernism in music was a period of radical change and innovation. It was a time when composers pushed the boundaries of what was considered music, creating works that continue to challenge and inspire listeners today.

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    Next up: Influence of Impressionism